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But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.

(Fuente: itsnorthern)

But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.

(Fuente: itsnorthern)

I love poetry, and I love poetry about love. I think poetry as a form is about the that simplest literature can get, it’s… all of the trimmings have been stripped away, and really great poets have got to the heart of the matter by using very, very few, brilliant words, to make you feel something, which, for most people, is inexpressible.

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